Queers on the Run: A Nomadic Workshop in Queer Archives in Canada with Drs. August Klintberg and Erin Silver
We invite students and interested community members to participate in Queers on the Run: A Nomadic Workshop in Queer Archives in Canada, an ongoing research experiment led by Drs. August Klintberg and Erin Silver.Where do queer Canadian art histories reside? What gathers/dwells in these repositories, what has been omitted and/or excluded, and how do institutions shape what histories can be known and accessed? Rarely a solo endeavour, queer art historical scholarship is more often relational and collaborative in nature. However, despite the wealth of queer Canadian art practices, the untraditional forms that queer scholarship assume may account for why no comprehensive history of queer Canadian art exists. Efforts through the 1970s to the 1990 to secure queer presence and visibility in a variety of institutional contexts became de facto political acts. However, queerness has a troubled, even “backward” (Heather Love, 2007) approach to archives and histories (Ann Cvetkovich, 2003; José Esteban Muñoz, 1996). We ask: how might queer archives engage self-reflexively with regard to the challenges of preserving oft-ephemeral queer histories while continuing to promote and safeguard their right to exist? Guided by the premise that museums, art institutions, collections, libraries, and archives are inextricable to art historical scholarship, we will examine the interrelation between institutions and the researching and writing of queer Canadian art histories. This workshop will include hands-on research into the periodicals collections in the BC Lesbian and Gay Archives, housed at the City of Vancouver Archives, with a focus on journalistic images within print media. Our objective is to experiment in collaborative research, bearing in mind the following questions: 1) What is a queer archival methodology?; 2) How does mentorship function outside the heternormative order?; and 3) What are the ethics of and protocols for uncovering and circulating traces of queer worldmaking?
Image Credit: Kelly Midori McCormick Event Details-
City of Vancouver Archives Gallery Vancouver
DR. Erin SilverErin Silver is an Associate Professor of Art History and Critical and Curatorial Studies at the University of British Columbia. She is the author of Taking Place: Building Histories of Queer and Feminist Art in North America (Manchester University Press, 2023) and Suzy Lake: Life & Work (Art Canada Institute, 2021), as well as co-editor (with Amelia Jones) of Otherwise: Imagining Queer Feminist Art Histories (Manchester University Press, 2016), and (with taisha paggett) the winter 2017 issue of C Magazine, “Force,” on intersectional feminisms and movement culture, and (with Elizabeth Cavaliere) a 2022 issue of Journal of Canadian Art History on collaboration as research and pedagogy. Silver’s writing has appeared in C Magazine, CAA Reviews, Canadian Art, Ciel Variable, Prefix Photo, Fuse Magazine, Momus, Performance Matters, Sculpture Journal, Visual Resources, and in the volume Narratives Unfolding: National Art Histories in an Unfinished World (ed. Martha Langford, McGill-Queen’s University Press, 2017), as well as in various exhibition catalogues in the areas of Canadian photography and queer and feminist art. She is an editor of RACAR (Revue d’art canadienne / Canadian Art Review) and currently serves as President of the Universities Art Association of Canada. Dr. AUGUST KLINTBERGAugust Klintberg is an artist who works in the field of art history. He is represented by Pierre François Ouellette art contemporain in Montreal, Canada, and is an Assistant Professor in the School of Critical and Creative Studies at the Alberta University of the Arts (AUArts). He earned his Ph.D. in Art History at Concordia University in 2013, where he was also an Assistant Professor, LTA. In 2010 he conducted Ph.D. research at Oxford University, St Peter's College, with the support of the Social Sciences and Humanities Research Council. He completed his M.A. at Concordia University (2008), his B.F.A. at the Alberta College of Art & Design (2001), and was an exchange student at the Nova Scotia College of Art & Design (1999-2000). He is also an International Counselor for the V&A Waterfront / Zeitz MOCAA Curatorial Training Programme (Cape Town, South Africa). His research interests include installation, artist's cinema, edible art practices, sensory design in museums, and queer theory.
|







